Black Artist

Fern Logan's collection of photographic portraits documents the emergence of the African American artist into mainstream American art. The Artist Portrait Series captures sixty significant artists from the late twentieth century. Each rich duotone portrait is accompanied by Logan's commentary on the artist. Logan began her career as a nature, landscape, and architectural photographer, but in 1983, resolving to put the human figure into her repertoire, she created the photodocumentary Artist Portrait Series. Her philosophy of art as an educational tool prompted her to document the accomplishments of such highly skilled visual artists as Gordon Parks, Elizabeth Catlett, Jacob Lawrence, Roy DeCarava, and Romare Bearden. Logan expanded the project to promote recognition for prominent black artists in theater, television, film, music, dance, and literature, including Alvin Ailey, Maya Angelou, and Adolph Caesar. Her subjects include well-known artists as well as those who were emerging at the time they were photographed. For Logan, the artistic process is as important as the final image. Her portraits not only capture the personality of the sitter but also convey the dialogue and rapport between photographer and subject. Logan's interest in the tonal range of the black-and-white photograph and its contribution to the rich drama between light and dark informs her photographs in a formal manner. By allowing the artist/sitter to construct the photographic moment, Logan creates visually dynamic and psychologically probing images that are reinforced by the immediate studio or living environment. This elegant book documents nearly two decades of her finest portraits.

In the years after the end of the First World War, large numbers of Africans and African Americans emigrated to the cities of Europe in search of work and improved social conditions. Their impact on white European society was immense. In Paris, where the artistic climate was particularly sensitive and experimental, avant garde artists courted black personalities such as Josephine Baker, Henry Crowder, and Langston Hughes for their sense of style, vitality, and "otherness". Leger, Picasso, Brancusi, Man Ray, Giacometti, Sonia Delaunay, and others enthusiastically collected African sculptures and wore tribal jewelry and clothes. More importantly, they adopted black forms in their work, and their style soon influenced a larger audience anxious to be in vogue. A passion for black culture swept through Paris, and by the end of the 1920s, black forms that had provided the initial spark to the modernist vision had become the commercially successful Art Deco style. Negrophilia, from the French negrophilie -- the contemporary term to describe the craze -- examines this commingling of black and white cultures in jazz-age Paris. Painting, sculpture, photography, popular music, dance, theater, literature, journalism, furniture design, fashion, and advertising -- all are scrutinized to show how black forms were appropriated, adapted, and popularized by white artists. The photographs, writings, and memorabilia of poet Guillaume Apollinaire, art collectors Paul Guillaume and Albert Barnes, shipping heiress and publisher Nancy Cunard, and Surrealists Michel Leiris and Georges Bataille help to recreate the contemporary atmosphere. The book raises questions about the avantgarde's motives, and suggestsreasons and meaning for its interest.

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Helene Black - Helene Black is a Cypriot artist working with various media. She has been exhibited in museums and contemporary art centers in Cyprus, Argentina, France, UK, Japan, Greece, Switzerland, Denmark and Australia.

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